Digital Artists Magazine

Digital Artists Magazine

Digital Artists Magazine featuring great design, architecture, fashion, graphics and innovation from across the globe.

 

Wolffstrunk

Graphic reduction and precision characterize the visual identity of the brand Wolffstrunk. The graphically reduced figure of the wolf functions as a basis for the visual appearance and as a new design mark within the corporate design system. Added to the figure of the wolf is the stylized shape of a drop. The reduced design mark follows the trend towards a simplified use of forms. The corporate design includes the design and concept of a composite mark, business documents, bottle labels, posters, postcards and a brand book as well as a short website animation.

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Woonwaard

Woonwaard is one of the largest housing corporations in the Netherlands with a large number of social rental homes. Our DNA program showed that the new identity had to be modern, yet serious, and radiate peace and serenity. The identity also had to represent the diversity and inclusiveness of the tenants and the positive aspects of renting. The designers also wanted the organization's passion to shine. The result is a unique colorful identity system, which plays an important role for the diversity and inclusiveness of its tenants.

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Today Happiness

"Xi" has been the Chinese culture of congratulation, especially for the most important things in life, such as marriage. We put forward the brand proposition of "everything should be celebrated and everything should be happy" in the form of Chinese poetry, which means "life is full of joy, live with openness". The brand design extracts ancient Chinese elements, such as color, architecture and philosophy. Tonal with tradition red and the contrasting color with tide blue give priority to. Three product series, video, music and web together present brand.

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De Toren

The service and product preperation standards of The Toren along with the company name, which refers to the city church, were an inspiration to the designer Myrthe Koppelaar to implement the upwards geometric shapes into the design. The geometric shapes take formation of a shield because she wanted to break the mould Cafeterias, by developing a logo that emphasised the standards and quality, rather than meeting the design type associated with the industry.

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Dimension in the Shadows

Black paperboard is carried out laser cut precisely, come out 12 pieces of differently designed monthly calendar cards, mounted each one in a slit of wooden cube. Each abstract object represents a scene or a moment in changing seasons in Japan, but regardless of age or nationality, inspire people free imagination. It is worthy for observation as a paper sculpture, perceive a sharp outline attractively at back light. In every moment, the casted shadow forms various shape different from the paper itself according to the light come in, add a little entertainment in everyday scene respectively.

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Curridabat Ciudad Dulce

The design emerges from the vision of the local government called Ciudad Dulce (Sweet City); its purpose is to promote a positive experience for all citizens, by seeking inspiration in nature. Hence, it is from nature that this liquid brand arises; it is built from shapes in repetition, patterns, organization, and structures present in the natural environment, just like honeycombs. These patterns support a flexible, vivid and easily identifiable visual system that helps the brand connect with a wide variety of audiences with which it interacts.

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