This series is focused on the abstract rock formations created over billions of years or in this case eons. The aim was to show the beauty in nature. The photographs is a series capturing abstract compositions created by nature. It should transport the viewer away from negative energy and transport them to a calm state of mind.
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This series of images is an interpretation of the effects that the recent lockdown had on mankind. It is a reminder of the fear felt on a global scale. Most important, it is there to remind that the human race can prevail and adapt in order to survive and ultimately overcome the damage done by the pandemic. So even though the images might come across as dark, they are in fact a celebration of the human spirit.
The designer took photos at a time when leaving the house and meeting people was a challenge, i.e. during the pandemic. Staying at home for a long time triggered the author's creativity. Therefore everyday objects found in the house, such as bowls of water, reflective materials, windows in the building were used to model the light. Her works were taken in color first, then changed to black and white. Everything was done digitally. Only one photo she took with artificial light from a lamp and it is a portrait of a boy. Silhouettes are often shown hidden.
Inspired by the political events that shook 2016, this series observes the dissonance between our perception and reality in the age of social media and catered news feeds. The aim was to question how our materiality can be warped by our opinions and judgements, using the existential currents of Jean Paul Sartre’s "Nausea".
Visual Identity System for Fondazione Alinari per la Fotografia is based on A letter as a focus. A stands for Alinari and is an abstraction of a camera lens. The form is a container in which the photos of the huge historical archive can be shown. All the items are designed with this concept. It is mainly a black and white brand, with a 3 colour secondary palette taken form the daguerreotype photos.
Interesting stories are hidden behind every turn of the old streets and it is impossible to associate the City with any one minimal set of recognizable symbols. While studying the city, the future ambassador discovers it anew, like a student discovers a primer at school. For the construction of the identity, a typographic solution was chosen, based on the principle of typographic eclecticism: the Old National script, interspersed with the cursive script and recognizable fonts of the avant-garde artists. The color scheme is laconic-bright red.
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