This “Sacred Tree” of the Animism series is the ultimate art form which is the integration of photography and painting, in this case is the light painting. This innovative art is inspired by the spiritual essence of the greatest nature. What the camera will see at the moment of exposure is the sparkling delicate soul of oldest living organism. This photographic expression which captures the inspirational moment plays an important roll in artistic culture.
The calendar Tastes of the World is an all-year form of promotion and it is to present values of various printing materials from a wide offer of their distributor Antalis Poland. The presented papers and synthetic materials is emphasised by graphics and a wide range of printing techniques: offset, silk screen, digital, and unique methods of refinement: die cuting, hot foil stamping, blind stamping, uv varnishing. The Calendar is comprised of 15 different printing grounds tastily featured by culinary attractions of some selected countries from all over the world.
Unfinished Business is a series of 3D holographic portraits have been created as 3D holographic lenticulars to create awareness of the high rates of disability in the Australian Aboriginal community and the complexity of the political and social history which impacts on the lives of all Australians. The exhibition has an app for people with sensory, cognitive and learning impairments which enables inclusive engagement of the project. The exhibition was shown at the United Nations in Geneva in 2013 and United Nations New York in 2014 and is now touring nationally.
Solving the Royal North Shore Hospital's wayfinding was not just about designing ‘better’ signs. Legibility, colour and graphics may be the necessary physical tools for a sign but it was the comprehension of their meaning that was important and how this was organised into a cognitive pattern of sign types. Clarity and directness of the wayfinding system is enhanced and enlivened by the use of colour utilised at each lift core as a wayfinding tool to correspond with vertical circulation. Visitors felt comfortable in their spatial environment, and were easily oriented and logically informed.
Insitu is a "site specific" dance festival, showing dance pieces created in relation to a specific site. Therefore the visual identity plays with dimensions in a typographic concept that puts words in a space, relating them to their surroundings. The typographic concept is versatile and flexible, and is being used in various ways across many medias. This gives the festival a recognisable, yet variating visual expression.
We created the logo combining first letters of the brand name. In this logo characters C and F make a form of a layer cake. Furthermore, arrangement of the sign and the brand name in three lines also symbolize cakes topping. This idea was implemented into the package design. Olive pit pattern is covered with transparent lacquer to give the surface finish. The logotype is pressed with golden foil.
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