Graphic

Explore 745 award-winning designs tagged Graphic on Digital Artists Magazine.

Designer: Salvita Bingelyte Project Type: Visual Identity Classification: Graphic

Diplomatic Relations

Diplomatic Relations is a logo created for the German Embassy in Vilnius. The design symbolizes the ties between Lithuania and Germany. Inspired by the tricolor national flags, three check marks were drawn for each country in the colors of its flag. The marks run as two parallel sides, like train tracks that move apart and then come together again. The red check marks are combined to represent friendship and unity. The colored symbol is placed on a white background and can be applied to stationery, outdoor advertising and corporate gifts. Repeating the symbol in a line forms a pattern.

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Designer: Pedro Panetto Project Type: Corporate Identity Classification: Graphic

Role

Role is a corporate identity designed for a video production agency. The identity works in motion and in still formats. The symbol is built on a rectangular shape, inspired by the rectangular forms common in cameras, clapboards and screens. The letter o is cut in half, recalling old film rolls. In motion, the symbol rolls continuously, linking the mark to the name Role, which comes from a Portuguese verb meaning to roll. All printed pieces were made using the Golden Ratio. The identity conveys energy and movement across many applications.

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Designer: Ruiqi Sun Project Type: Brand Identity Classification: Graphic

New Visual Direction of Qwale

The New Visual Direction of Qwale has transformed the landscape of fintech branding, prioritizing an intuitive UI, UX design for the Qwale app alongside a strategic logo redesign. Through extensive user research and collaborative efforts, Qwale has emerged as a modern, user-centric player in the industry. The revamped logo encapsulates Qwale's innovative ethos and dedication to financial empowerment, marking a significant evolution in its identity.

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Designer: SHAN MAI FOOD Project Type: Brand Identity Classification: Graphic

Underforest: Select

Underforest: Select is a brand identity created for products of the under-forest economy in Taiwan. The logo is formed by four forest-green triangles that represent the Chinese character for forest and express the idea of coexistence with woodland. Forest-green stands for natural resources, while matte gold stands for economic potential. The packaging uses simili paper for a texture close to wood and is finished with matte gold hot foil stamping. Image integration and shared packaging standards reduce material costs and support local foresters.

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Designer: Ciara Chapman Project Type: Illustration Classification: Graphic

Imagination and Reality

This large window decal illustrates where reality and imagination merge to create an impression of an individual's life after a medical intervention. The illustration adheres to the glass on the inside of this impressive building, measuring over 10,000mm in height. This artwork was created with accessibility in mind. The artwork is installed in a window space because window spaces are accessible to view from outside the building. Therefore, members of the public who view the image can stay in their car to view the image should their physical limitations require them to do so.

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Designer: Pedro Panetto Project Type: Corporate Identity Classification: Graphic

Platanus

Platanus is a corporate identity created for a psychiatry office with a humanized approach to medical care. The name refers to the platanus tree on the island of Kos, where Hippocrates taught medicine to the first doctors. The symbol brings together a Greek column, a tree structure, leaves, fruits, branches and an hourglass, drawn with one consistent line. The typography was designed exclusively for the brand and follows the proportions of the symbol. Patterns, graphics and stationery complete the coherent visual language.

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Designer: Jijing Ju Project Type: Illustration Classification: Graphic

Journey to Lijiang

Journey to Lijiang is a series of illustrations about the city of Lijiang in China. The illustrations use the image of a tile cat, known as Wa Mao, as the main visual element. Wa Mao is a local cultural symbol and acts as a guide to the natural scenery and the ethnic traditions of Lijiang. Traditional cultural symbols are abstracted and redrawn in a modern visual style. The series is created with vector design software and produced with high level printing technology. The aim is to support the awareness and protection of the local culture.

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Designer: Speed International Group Co., Ltd. Project Type: Festival Graphic Design Classification: Graphic

Autumn Glitter

Autumn Glitter is a visual identity design created for a 2021 art and technology festival in Taiwan. The theme joins autumn light, pond water and dance, linking technology art with performing arts. The color scheme is drawn from contemporary Taiwanese aesthetics, using red tones with accents of pink. Coded pixel fonts express a link between poetry and technology. A sun shaped emblem stands for autumn sunlight, while water droplets suggest a calm pond. The main graphic measures 296 mm in width and 210 mm when unfolded.

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Designer: Cui Fan Project Type: Detailed Illustration Classification: Graphic

Northeast Custom

Northeast Custom is a set of illustrations about the culture of Northeast China. The series presents the architecture, folk life and cuisine of Heilongjiang, Jilin and Liaoning provinces. Creative cultural elements are combined with layered colors to build the atmosphere of each scene. The illustrations are drawn with vector design software and reproduced with high level printing technology to keep fine detail. Each image measures 3600 by 3600 pixels at 300 dpi. The aim is to present regional culture in a modern visual form and to support cultural tourism.

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Designer: HD Communication Kft. Project Type: System Of Norm Signage For Telekom Classification: Graphic

New HQ New Rules

New HQ New Rules is a signage system created for the new headquarters of Magyar Telekom. The signage presents a set of rules on office behaviour. The design is clean yet playful, so the rules feel inviting rather than commanding. The illustrations show everyday office situations with humour and a human touch. The analogue style contrasts with the size and modern character of the building. The intent is to create an immediate emotional reaction and to encourage people to follow the rules with a smile.

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Designer: Di Lu Project Type: Exhibition Classification: Graphic

Future Past

The Beijing 751 International Design Week's identity merges heritage with innovation, using geometry and a nuanced color palette to engage diverse audiences. Overcoming time constraints and aesthetic diversity, the project highlights cultural narratives through interactive invitations and digital-physical design synthesis. This approach creates a visually compelling identity that reflects the festival's theme, showcasing design's power to connect past and future.

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Designer: Lara Wilkin Project Type: Education Illustrations Classification: Graphic

Lazarus Effekt

The three information graphics serve as a basis to introduce the topic of the Lazarus-Effect. They include "The Six Major Mass Extinctions", "Death Watch of the Species", as well as an information graphic of the "Local Fern Plants and Flowering Plants" (based on the Rote Liste, 2018). The Lazarus Effect is based on the theme of the Lazarus-Effect, as coined by paleontologist David Jablonski. This pertains to the unintentional rediscovery (by accident, through expedition or through relocation projects) of a previously lost or considered extinct form of life.

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