Digital Artists Magazine featuring great design, architecture, fashion, graphics and innovation from across the globe.
Explore 745 award-winning designs tagged Graphic on Digital Artists Magazine.
This is a set of type design that represents the combination of two different cultures Hanzi and Alphabet. The type design combines Hanzi character strokes and English letters. Each letter was designed with customized shapes from one or more parts of Hanzi strokes. The design was created by using contemporary visual languages along with bright colors.
SDDA is a corporate identity created for a dancesport association based in Shandong, China. The previous logo used a detailed dance figure that was often confused with the marks of other associations. The new identity simplifies the posture into a single continuous line. The line combines two dance partners, a mountain and rotating dance steps. Ten related graphics show classic dance postures and make the relationship of the body easier to read. The identity is applied at competition venues, in print and on social media.
The artist developed a new style of illustrations in bright colors for a series of digital magazines for the Dutch Human Environment and Transport Inspectorate. The artist made these line drawings in a Picasso-like style. Complex subjects, such as construction restrictions and noise pollution, are visually reduced to the core. Number 01 of the magazine, and the according series of illustrations, gives information about the safety on and around Schiphol Airport.
The font of 87MM Ilsang is designed with consideration for the daily value pursued by the 87MM brand. The oblique font in Korean is the first font to be attempted in Korea. By interpreting the numbers 8 and 7 as the ratio and angle of the font, the area of the letters was designed as a space of 8:7, and the size of the closed letters among the consonants of Hangeul (Korean Alphabet) was adjusted using this ratio. The 8 and 7 degrees angles were used as morphological elements such as a stem and a conclusion to harmonize the characteristics of handwriting that appear when writing sideways.
Free is a brand identity created for a sanitary napkin brand. The logotype is refreshed with a slightly raised letter F, which conveys a young and optimistic attitude. The two letter e forms are drawn as one continuous brush stroke and linked together. This joined pair is extracted from the logo and used as an auxiliary graphic, applied to business cards, badges, document bags, express boxes and canvas bags. The dynamic line expresses freedom and self-expression. A visual specification system keeps the identity consistent and extensible across online and offline channels.
PLANTS TRADE is a series of an innovative and artistic form of botanical specimens, which was developed to build a better relationship between humans and nature rather than educational materials. The Plants Trade Concept Book was prepared to help you understand this creative product. The book, designed in exactly the same size as the product, features not only nature photos but unique graphics inspired by the nature’s wisdom. More interestingly, the graphics are carefully printed by letterpress so that every image varies in color or texture, just like natural plants.
Reconstruct is a set of posters designed to encourage reconnection within a community. The first poster uses graphic filling and stacking to show an anxious person. The second builds a box shape as a symbol of a camera that records a moment of change. The third redraws the form of a Gambiered Canton Gauze Zongzi with lines and rectangles, and these lines also stand for the links between people. The posters are printed in A2 size on paper and are also prepared for digital displays and animated versions on social media.
In Taiwan, calendars is in addition to telling the date, they could tell the fortune hours and which zodiac animals signs should be careful during that day, according to the calendar. It includes things that could be achieved smoothly today and which ones people should put aside for some other time. When look at the calendar, Wan Fen Chen always think: what if Wan Fen Chen transposed the information on the calendar from printed words to icons? The page would look marvelous and unique after transposition and rearrangement. Therefore, the Day Code - Chinese Almanac came into being.
What would emotions look like in the visual world? This series of posters named Emotions represent four different types of basic emotions in visual form. The four emotions are Joy, Anger, Sadness, and Fear. The designer used contemporary visual language including abstract illustrations, vibrant colors, and dynamic typography to show the connection between emotions and facial expressions. In this design system, each visual language works as individual designs on its own. At the same time, all the poster designs work as a system.
Five Samurai is a digital mural painting created for a Japanese restaurant. The artwork shows five samurai figures in calm standing poses, without weapons, so that references to war are avoided. Snow and golden autumn leaves surround the figures and suggest quiet beauty and the passing of time. The painting was made with digital painting software and printed for a wall measuring 7253 mm in width and 2228 mm in height. The figures are placed in the central area to suit the uneven wall surface. The aim is to let guests sense the atmosphere of ancient Japan while dining.
Timing Sauce is a branding project created for a sauce producer. The work covers a new brand name, a logo, packaging and sales materials. The former name referred to pasta, which did not match the products sold, so a new name was chosen. The logo uses abstract shapes that suggest a sauce and a smiling face. Color research guided the palette, and several color combinations were tested to convey joy and appetite. The labels are printed on waterproof glossy PVC and are made in three sizes for 120, 150 and 180 millilitre bottles.
Khedr El Attar is a brand identity created for a trader of organic and raw products established in Cairo in 1945. The project combines a brand strategy with a visual system that reflects the new positioning of the brand. The identity retains the status of Khedr El Attar as a source for organic and raw goods. The visual system organises the business into three main subcategories: organic medicine, raw beauty and culinary products. Packaging design and brand guidelines complete the system, joining the old ethos of the trade with a modern presentation.