Graphic

Explore 745 award-winning designs tagged Graphic on Digital Artists Magazine.

Designer: Ragù Communication Project Type: Rebranding Classification: Graphic

Biblioteche di Roma

Biblioteche di Roma is a brand identity created for the public library network of the city of Rome. The identity marks the twenty-fifth anniversary of the library system and is intended to express innovation and accessibility. The historic logo showed a closed book resting on its side. The new symbol shows an open book that can also be read as the first letter of the name. The graphic sign is clean and essential. The identity is applied to the stationery system, digital touchpoints, advertising, outdoor media and signage.

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Designer: Professor Zhu Xuguang's Team Project Type: Festival Visual Identity Classification: Graphic

Huashan

Huashan Rock Art Festival is a visual identity system created for a cultural festival in Chongzuo, Guangxi, China. The identity turns ancient pictographs from the Huashan rock art site into simple geometric graphics. A black and white palette and textured surfaces recall stone rubbings and weathered rock. Posters are made in landscape and portrait formats for small prints and large outdoor displays. Printed applications use recycled materials and plant-based inks. The aim is to make ancient heritage clear and accessible to modern viewers.

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Designer: Mao Yuting Project Type: Cultural and Creative Design Classification: Graphic

Hua Shanday

Hua Shanday is a visual identity created for the Huashan Scenic Area in Guangxi, China, a UNESCO World Heritage site. The identity draws on the 2000-year-old Huashan Rock Art made by the Luoyue people. Ancient totems showing ritual prayer and collective labor are extracted and rebuilt as clean geometric icons. The color palette keeps the red ochre tone of the original rock paintings. The system is applied to signage, posters and digital media, so that wayfinding also becomes an accessible educational experience.

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Designer: Bojun Tan Project Type: Brand Identity Classification: Graphic

Agave De Ray

Agave De Ray presents a refined brand architecture for a Beijing based mezcal dealer, bridging Oaxacan heritage with urban hospitality. The project utilizes an adaptive identity where ingredients are personified as watchful spirits, merging playful illustration with a rigorous typographic system. By balancing artisanal textures with a muted earthen palette, the design establishes a sophisticated visual standard for boutique spirits, translating ancestral grit for a modern elite audience.

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Designer: Wu Yao Project Type: Illustrations Classification: Graphic

Trip of Tea

Trip of Tea is a pair of illustrations created for a Chinese tea company. The two works are inspired by two historic tea transport routes, the Tea Road of Ten Thousand Miles and the Maritime Silk Road. A horse taken from the client logo appears as a messenger along each route. The form of each horse and the pattern on its saddle change to reflect the features of the destination city or region. Tea drinking scenes from different countries are included. The illustrations are hand drawn on a tablet and unfolded as a tiled reel that suits posters, postcards and other uses.

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Designer: Paul Robb Project Type: Type Design And Type Specimen Classification: Graphic

Hupla Typeface

Hupla emerges as a stylistic font family, meticulously crafted as a mechanical font within a precisely defined grid. This design philosophy extends its versatility, making it an ideal choice for application at various sizes, seamlessly transitioning between text and display settings. Enriched with a comprehensive set of OpenType stylistic features, Hupla becomes more than just a typeface; it transforms into a dynamic tool for creative expression.

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Designer: Paul Robb Project Type: TYPE DESIGN AND SPECIMEN Classification: Graphic

FAFFIN FONT FAMILY

The Faffin font family is a versatile typographic language, offering two distinct styles, Faffin Sans and Faffin Display, designed to be used individually or in tandem, allowing for a seamless blend of contemporary aesthetics. Faffin Sans, inspired by the impartiality of Swiss-type design, this font is a meticulous fusion of contemporary shapes and curves. Faffin Display takes the concept of versatility to the next level as a variable font.

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Designer: Wu Yao Project Type: Illustrations Classification: Graphic

Dream Collection

Geziwo Park Series is a commercial illustration created for Geziwo Park. The long scroll artwork is divided into three parts. The first part, Night of Fantastic Animals, shows moonlight over a mysterious forest with many birds in flight. The second part, Dream, is filled with color and includes landmark buildings of Geziwo Park. The third part, Voyage, shows mermaid elves swimming in a blue ocean as a ship sails into the distance. The three parts can be used alone or together on postcards, posters and other items. The printed work measures 3.84 by 0.76 meters.

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Designer: Guo Kaixuan Project Type: Illustration Classification: Graphic

Printmaking Tibet

Printmaking Tibet is a set of illustrations that depicts Tibetan culture and landscape. The illustrations are drawn with graphic design software and follow a printmaking style. Subjects include the Potala Palace, yaks on the snowy plateau and the distant pilgrimage path. Traditional culture is combined with modern visual aesthetics to present the beautiful, remote and devout character of Tibet. Each image measures 3600 by 3600 pixels at 300 dpi. The illustrations can be printed on coated paper or cloth and applied to cultural products.

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Designer: Li Tiebin Project Type: Logo and Visual Identity System Classification: Graphic

HEU 70th Anniversary

This design successfully showcases the 70 year development history of the school. Through data study and campus research, it innovatively employs the method of using totems to express the storyline of the narrative. It integrates elements of the school's historical culture and scientific research technology. The images are simplified into symbols and reorganized to convey the message. Combined with wavy lines, it forms a solemn 70 logo, enhancing readability in the design communication. It presents the school's unique charm and outstanding achievements to the world.

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Designer: Meng Shenhui Project Type: Brand Identity Classification: Graphic

Remaking Art

Remaking Art is a brand identity created for a culture communication company. The logo joins the initial letters R and A into a symmetrical mark, connected by lines that suggest a reflection in water. A horizontal line recalls a scale and is kept from the earlier logo to express fairness and integrity. The visual system uses lines to divide printed materials, packaging and interior displays, so the same look is held across different sizes and materials. The design conveys symmetry, integration and renewal.

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Designer: Beijing Jiaotong University Project Type: Brand Design Classification: Graphic

Cosmos Datong

Cosmos Datong is a packaging design for a local pastry brand from the ancient city of Datong in Shanxi, China. Four sets of thematic illustrations show the historical features of the city in different periods. The illustrations combine local folk style with the oriental aesthetics of the new Chinese style, and use the traditional color palette of Shanxi shadow puppetry. The outer box is made of cardboard with a smooth UV coating, hot stamped text and die cut edges. The gift box holds three smaller boxes and is intended for festive occasions.

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