Digital Artists Magazine

Digital Artists Magazine featuring great design, architecture, fashion, graphics and innovation from across the globe.

 

Graphic

Explore 745 award-winning designs tagged Graphic on Digital Artists Magazine.

Changing Perspectives Environmental Typography

Changing Perspectives

Changing Perspectives is an environmental typography installation made for the glass panels of a university art building. The letter shapes are cut from frosted vinyl and align into a readable message as people walk past. The message can be read from either direction, so viewers pause and move to complete the text. Each letter is about one to two feet tall, varying with the distance from the viewer. Light passing through the panels repeats the letter shapes as shadows and reflections. The installation invites people across the campus to interact with typography.

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Pizzamax Rebrand

Pizzamax

Pizzamax is a brand identity for a small pizza restaurant chain in Lithuania. The earlier identity mixed several graphic styles and gave customers little sense of the brand. The redesign uses a simplified logo with red, black and white, colors linked to classic Italian pizza. The words pizza and max are placed on different sides of the business cards and pizza boxes. The letters M and X have curved ends that suggest bakers carrying pizzas with straight arms. The identity is applied to business cards, letterhead, pizza boxes and clothing.

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Option Poster Design

Option

Option is a poster design about women's rights. The poster asks women not to keep silent and to raise their voice to the world. The message also asks the public not to stay silent about an issue that happens around them every day. Silence is not an option for women or for the public. The central image is a cross symbol, taken from the marks placed on abandoned sketches and drafts during the review of the work. The cross states that silence is not an option. The poster measures 11 by 17 inches.

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Meat n Beer Brand Design

Meat n Beer

Meat n Beer is considered a flagship store selling specialty meats and beers. The inspiration for the logo came from the merging of their two flagship products. From traditional cattle heads with their pointed horns, transformed with an iconic design in a modern rustic wire frame vector, interacting with the other traditional element, the beer bottle. The union is in a positive and negative space, succinctly and elegantly into a single symbol where text and image form a single image. The typography plays and mixes an old style Industrial font with a more modern Script.

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Bomapp Brand Identity Design

Bomapp

Bomapp is a brand identity design created for an insurance technology company. The name Bomapp combines boheom, the Korean word for insurance, with the word map. The symbol, the motif graphics and the overall design convey the idea of embrace, which strengthens the brand identity. The logotype includes the letter B, drawn to reflect the golden ratio. The precise geometry is used to express trust and professionalism, the core values of the insurance industry. The logo appears in a single color, blue or white, depending on the background.

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Typotect Corporate Identity

Typotect

Typotect is a brand identity designed for a modern art museum dedicated to the work of Piet Zwart, a pioneer of modernism. The name combines the words typography and architect, reflecting the two fields in which Piet Zwart worked. The identity reinterprets three features found in his designs: three primary colors, thin linear elements and flat shapes arranged within open space. A thin red line appears at the top of each application, while blue and yellow fill the flat shapes. The identity is print based and is applied to posters, name cards, tickets and wall stickers.

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HEMA Alliance Corporate Identity

HEMA Alliance

HEMA Alliance is a corporate identity created for an association that supports practitioners of Historical European Martial Arts. The identity includes 160 variations of the symbol, formed by 40 sword designs shown in four visual arrangements. Each sword follows the proportions of a real historical model. The letters, the spacing and the symbol diagram are based on the Golden Ratio, which keeps every variation consistent. Each practitioner can select the variation that matches a preferred training style and weapon.

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Pleady Brand Elements and Communication Tools

Pleady

Pleady Branding is a brand identity program created for a specialized taping manufacturer. The program covers the brand name, the brand logo, packaging, websites, product catalogs, brand movies and trade show booths. The name joins the words play and ready. Communication is built around the tagline Tape or Lose and a key visual of a female runner, inspired by the line that runs through the logo. A yellow-green brand color marks the focus on athletes. Color management keeps the brand color consistent on paper, film and screens.

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Aesthetics and Chinese Characters

Aesthetics and Chinese

Aesthetics and Chinese is a series of posters based on the design of Chinese characters. The structure of each character is built from its radical strokes, which are presented in rotating and gradual arrangements. The series turns written text into visual symbols and uses font design as a contemporary form of expression. Posters, invitation cards and a book were printed to highlight the character forms. The posters measure 70 by 100 centimetres. The work presents Chinese language and characters as a lasting cultural asset of Oriental culture.

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Strange Poster Series

Strange

Strange is designed for a departmental exhibition Pratt Institute held in 2019, discussing the relationship between the humorous situation in a stand-up comedy and the different perspective audiences can get. Stand-up comedy has revealed a vivid instance of how violations are perceived differently among collective identities. This project is based on quantitative and qualitative research. The campaign provokes intersectional perspectives and undergoing social changes driven by shifts in collaboration.

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Orfeo and Euridice Videogames

Orfeo and Euridice

The design has been developed in two directions, it is the focal point that creates the difference between the two opposing factions. For humans, design is composed of well-defined and clean forms. The choice of rigorous and clear shapes is functional to the interpretation of the world in which the protagonists find themselves, completely opposed to the design of their enemies both in materials and shapes, in fact the latter have a much more bionic and deformed design.

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Kechakenmi Character

Kechakenmi

The two gods who have to give up much because they are parents can not spread both wings. Contrary to the situation where you can empathize and laugh together, the blunt color represents the dark feelings of parents. This story is for all parents in this age who have to give up much for their families.

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